Theatre Review: Much Ado About Nothing
For those who aren’t familiar with the text (I highly doubt my blog readership–such as it is, ha–isn’t familiar with Shakespeare, but you never know), Much Ado About Nothing is a romantic comedy in which two pairs of lovers, Beatrice and Benedick and Hero and Claudio, get into complications on their respective ways to the altar. (Isn’t that the plot of every romantic comedy though?) Of course, that is drastically oversimplifying the plot, but after nearly two years of working in publishing, I’ve gotten somewhat better at finding what Cap’n Sweet Valley calls the “handle” (one-sentence sales pitch) of things.
But Much Ado is perhaps the best known for its verbally sparring, love-masquerading-as-dislike pair Beatrice and Benedick, arguably the most famous of the Sexual Tension Disguised as Bickering couples in media, played in this production by David Tennant and Catherine Tate. Nearly every pair of romantic leads in screwball comedies from the 1930s is modelled on them, and many books have tried to recreate that tension as well, to varying degrees of success. (Pride and Prejudice on the good end…and countless scores on the not-so-good end.)
For all that I usually dislike the trope in fiction (perhaps because of the countless scores on the not-so-good end), Much Ado is my favourite of Shakespeare’s comedies, and this was a delightful production.
















