The Spectrum of Bad
Diana Peterfreund wrote an awesome blog post today about Bad Boys vs. Nice Guys (part I of more to come) in fiction. In addition to being an interesting examination of the appeal of the Bad Boy, it’s also a defense of the Nice Guy.
The Ultimate Nice Guy
Peterfreund brings up some really great points, including how the Nice Guy seems to be much more palatable as the protagonist rather than as the romantic lead. When seen as the Everyman, the Nice Guy suddenly becomes our proxy: the underdog, the ordinary fellow reaching for his dreams. She cites Lloyd Dobbler from Say Anything as a film example. Take your pick of John Green’s protagonists for a literary example.
However, when viewed through a romantic lens, the Nice Guy seems to fall short compared to the Bad Boy. Why? Is it because he’s considered “weak”? (Whatever that means.) Harmless? Boring?
